writing

Collaborative Grading Rubrics for Assessing Student Writing

by Rosalind Diaz, English Teaching Effectiveness Award Essay, 2018 Grading rubrics are an invaluable teaching tool. Ideally, they promote fairness and transparency in assessment, and help students set reasonable goals, develop metacognition, and practice self-assessment. But a rubric can also act as a gatekeeper of knowledge. Vague, abstruse, or circularly…

Revision Without Tears: In-Class Writing with the Pomodoro Technique

by Linda Louie, French Teaching Effectiveness Award Essay, 2017 Revision is one of the most challenging parts of the writing process to teach because it is so specific to each individual student and paper. Furthermore, many students come into writing courses with a preconception of what “revision” entails that is…

Introducing Students to Scientific Writing in E45 Lab Sections

by Rajan Kumar, Materials Science and Engineering Teaching Effectiveness Award Essay, 2016 In Spring 2015, I served as the GSI for Properties of Materials (E45), an introductory materials science and engineering course usually taken by freshmen and sophomore students. My primary responsibility for the course was to lead the lab…

The Feedback Loop: When Less is More, and When More is Less

by Johann Koehler, Legal Studies (Home Department: Jurisprudence & Social Policy) Teaching Effectiveness Award Essay, 2016 Writing rarely improves without feedback. But even the most carefully prepared feedback, if offered a certain way, may remain unheeded. Take, for example, a common course structure: students endeavor to produce a long, meticulously…

Integrating Sociology into Students’ Lives through Twitter

by Shelly Steward, Sociology To make theory a way of seeing and understanding the world, [students] needed to be reminded of it outside of lectures, sections, and assignments. How could I insert sociological ideas into students’ everyday lives beyond the classroom? My strategy to address this problem was to create a course Twitter account.

The Semester-Long Research Project Reimagined

by Tammy Stark, Linguistics As a solution to the related problems of limited time and a lack of incentive to carry out scholarly research on final papers, I decided to make the final project a Wikipedia assignment, in which students worked in groups to significantly improve Wikipedia pages related to sociolinguistic topics relevant to their independent research interests…

To Risk an Argument: Tweeting towards Independent Theses in English R1B

by Kathryn Fleishman, English Challenged with independent critical thinking and absorbed in a network of ideas that reached out of our classroom and into their everyday lives, my students developed the willingness to risk an argument along with a strong grasp of the research process. … [S]tudents polished the opinions they had proffered as tweets and comments into solid theses for their individual research projects, transforming uncertain, visceral reactions into logical, distinctive arguments.

Moving Beyond Plot Summary: Doing Things with Words

by Laurence Coderre, East Asian Languages and Cultures My...students were having difficulty understanding how to approach literary texts beyond the simple recapitulation of plot. Focusing on what a given reading said, they rarely considered the significance of how it was conveyed....Ming dynasty xiao pin wen, or “short personal essays,” in which authors write in great detail about frivolous or mundane things, offered me an opportunity to address this concept, and students’ difficulties in grappling with it, head on.

Making and Supporting an Argument

by Margot Szarke, French Many students feel challenged when asked to analyze a literary or cinematic work because there is a certain amount of intellectual freedom involved in the task... How can a text or film be successfully and meaningfully interpreted in multiple ways? How can references and textual details be used to effectively build up an argument?

X-Axis, Y-Axis, and Zzzz’s: Plotting Narrative at 8 AM

by Wendy Xin, English How, I wondered, might one instill an understanding of composition useful to engineering, political science, history, biology, literature, and math majors alike, when the nature of assigned readings across disciplines varied so widely? And how would the class find pleasure in engaging metacritically with the concept of narrative at 8 a.m., a time when most of us aren’t even used to experiencing narrative?