reading & composition courses
by Marianne Kaletzky, Comparative Literature
One of the core principles of literary analysis is that the form of literature — the language an author uses, the way he or she structures the text, and the stylistic conventions he or she employs — means as much as the content. … I wanted to help my students not only to become more attentive to formal features, but also to understand why those formal features matter ... To cultivate this understanding, I decided to give my students an unconventional writing assignment ...
by Kathryn Fleishman, English
Challenged with independent critical thinking and absorbed in a network of ideas that reached out of our classroom and into their everyday lives, my students developed the willingness to risk an argument along with a strong grasp of the research process. … [S]tudents polished the opinions they had proffered as tweets and comments into solid theses for their individual research projects, transforming uncertain, visceral reactions into logical, distinctive arguments.
Elaine Yau, History of Art
I have often noted that students who have never had an art history course can be overwhelmed by a commonplace assumption that artistic “masterpieces” are self-evidently great. This point of departure usually results in hackneyed discussions about beauty, perfection, or “pinnacles of civilization.” I wanted my first writing assignment to provide a structured, accessible process for formal analysis that would equip students with a vocabulary from which to build their own interpretations confidently — to treat paintings as primary sources from a moment in history.
by Jordan Greenwald, Comparative Literature
I...came to realize that this lesson could not be learned through class discussion alone, since asking these questions while leading discussion is pedagogically less effective than getting students to ask those questions themselves. I therefore decided, with the encouragement of my co-instructor, to design a group assignment that would familiarize students with the choices one makes when bringing a dramatic text to life.
by Jesse Cordes Selbin, English
I believe that education functions best when students are not merely passive recipients, but collaborative creators, of knowledge. To that end, I designed an ongoing assignment wherein students used online software to contribute to a collective historical timeline of the nineteenth century...The function of the timeline was primarily informational: it was intended to give a deeper understanding of a historical era. But its crucial secondary function was to ask students to reconceptualize their own role as creators and perpetrators of historical narrative.
by Genevieve Painter, Legal Studies (home department Jurisprudence and Social Policy)
Sorting through masses of research is a key learning objective of the reading and composition seminar. Students reported feeling overwhelmed as they confronted a wealth of sources and ideas in preparing their final papers. What is one way that participatory social movements deal with analyzing an excess of information? Card clustering!
by Sarah Mangin, English
We spent a few minutes venting about our most memorable Kafkaesque ordeals, from S.A.T. testing nightmares to transcript requests ... By cultivating a collaborative environment for thinking about literary allusiveness, our class found opportunities to make these references first familiar and then potent.
by Margot Szarke, French
Many students feel challenged when asked to analyze a literary or cinematic work because there is a certain amount of intellectual freedom involved in the task... How can a text or film be successfully and meaningfully interpreted in multiple ways? How can references and textual details be used to effectively build up an argument?
by Wendy Xin, English
How, I wondered, might one instill an understanding of composition useful to engineering, political science, history, biology, literature, and math majors alike, when the nature of assigned readings across disciplines varied so widely? And how would the class find pleasure in engaging metacritically with the concept of narrative at 8 a.m., a time when most of us aren’t even used to experiencing narrative?
by Jennifer Johnson, Linguistics (Home Department: Education)
I needed to develop in-class peer review and self review activities that assist students in exploring, understanding, and contesting feedback. ... How do I help students develop metacognitive skills — in other words, reflect on their reflections?