discussion

Contextualizing Social Theory with Collaborative Timelines

by Nicholas Anderman, Geography Teaching Effectiveness Award Essay, 2019 In Geography 112, a challenging, upper-division course, students read canonical social theory (Marx and Engels, Antonio Gramsci, Franz Fanon, etc.) alongside historical texts that show how these thinkers’ key concepts emerged out of particular events. A key learning outcome of the…

Skills for Engagement: Teaching Close Reading Techniques in an Interdisciplinary Classroom

by Ashton Wesner, Materials Science and Engineering (Home Department: Environmental Science, Policy, and Management) Teaching Effectiveness Award Essay, 2018 E157AC: Engineering, The Environment, and Society is the only American Cultures course offered in the College of Engineering. I was thrilled to teach students pursuing rigorous scientific training with an interest…

Scaffolding Suspension of Belief as a Means to Intellectual and Political Empathy

by Brian Judge, Political Science Teaching Effectiveness Award Essay, 2018 Challenge: Introduction to Political Theory is either the beginning or the end of students’ engagement with political theory at Cal: interested students may go on to enroll in further political science courses, but (statistically speaking) many will stop after the…

Experimental Method: A Guided Lesson for Synthesizing Science and Literature

by Evan Klavon, English Teaching Effectiveness Award Essay, 2017 Navigating multiple approaches to the same topic can be tough—even more difficult is learning to articulate connections across disciplines. As a TA for Intro to Environmental Studies, I guided students in learning and writing about cultural conceptions of nature, the history…

R&C Workshop Added to Fall Series

Researchers in college composition and second-language acquisition have a lot to say about correction and feedback strategies on student papers, especially when improvement of student writing skills is the dominant objective. In this workshop, GSIs will explore some of the research and, using samples of student writing, work on feedback strategies…

Integrating Sociology into Students’ Lives through Twitter

by Shelly Steward, Sociology To make theory a way of seeing and understanding the world, [students] needed to be reminded of it outside of lectures, sections, and assignments. How could I insert sociological ideas into students’ everyday lives beyond the classroom? My strategy to address this problem was to create a course Twitter account.

Attending to Attendance

by Tobias Smith, Jurisprudence and Social Policy In my sections I reimagine attendance as a weekly opportunity for a brief exchange with my students. In the last few minutes of class I give each student a blank index card to fill out and immediately hand back to me. On the front the student writes the date and her or his name. On the back the student reflects briefly on a prompt.

Sketching Social Theory Collectively

by Chris Herring, Sociology While most professors have converted to Power Point, sociology professor Michael Burawoy remains wedded to the blackboard and diagrams relentlessly… [A] primary task became figuring out a way to get my students to take these illustrations as the starting point for discussion rather than the end-point.

Becoming Your Own Dictionary: Increasing Participation and Communicative Confidence through Semiotic Brainstorming

by Emily A. Hellmich, French (Home Department: Education) I realized that while my students did have passionate opinions as well as a desire to communicate them, they hesitated: not knowing one specific word represented an insurmountable barrier to them that shut down communication and sent them running to a more expert resource… I led the students in the creation of a “semiotic brainstorm” meant to show them not only just how much French they already knew but also to detail, step-by-step, one way to access this knowledge in communication.

What Is It to Truly ‘See’ and How to Deal with the Unseen

By Alexandra Courtois de Vicose, History of Art When confronted with a Monet water landscape last spring and asked, “What do you see?” [my students] rightly answered, “A boat.” “You understand this shape as a boat because, culturally, you know what a boat looks like. Keep in mind, however, this is but an amalgamation of pigment on a two-dimensional surface. So, really, what do you see?”