Posts by lindami

The Tipping Point: Encouraging Inclusive Participation Through Productive Failure in a Highly Diverse Student Setting

by Sandile Hlatshwayo, Economics There are several benefits to this warm-up approach. Primarily… students who must first attempt to solve problems with very little instruction tend to learn the concepts better once they are given formal instruction. Second, students experience less fear over offering incorrect answers as making public errors becomes a normalized part of the classroom experience. Finally, and centrally, students that tend to be non-participators participate…

Sketching Social Theory Collectively

by Chris Herring, Sociology While most professors have converted to Power Point, sociology professor Michael Burawoy remains wedded to the blackboard and diagrams relentlessly… [A] primary task became figuring out a way to get my students to take these illustrations as the starting point for discussion rather than the end-point.

Becoming Your Own Dictionary: Increasing Participation and Communicative Confidence through Semiotic Brainstorming

by Emily A. Hellmich, French (Home Department: Education) I realized that while my students did have passionate opinions as well as a desire to communicate them, they hesitated: not knowing one specific word represented an insurmountable barrier to them that shut down communication and sent them running to a more expert resource… I led the students in the creation of a “semiotic brainstorm” meant to show them not only just how much French they already knew but also to detail, step-by-step, one way to access this knowledge in communication.

To Risk an Argument: Tweeting towards Independent Theses in English R1B

by Kathryn Fleishman, English Challenged with independent critical thinking and absorbed in a network of ideas that reached out of our classroom and into their everyday lives, my students developed the willingness to risk an argument along with a strong grasp of the research process. … [S]tudents polished the opinions they had proffered as tweets and comments into solid theses for their individual research projects, transforming uncertain, visceral reactions into logical, distinctive arguments.

What Is It to Truly ‘See’ and How to Deal with the Unseen

By Alexandra Courtois de Vicose, History of Art When confronted with a Monet water landscape last spring and asked, “What do you see?” [my students] rightly answered, “A boat.” “You understand this shape as a boat because, culturally, you know what a boat looks like. Keep in mind, however, this is but an amalgamation of pigment on a two-dimensional surface. So, really, what do you see?”