How to Teach Botany Lab Remotely: Get Off Zoom, Use Real Plants!

by Michael Song, Integrative Biology Teaching Effectiveness Award Essay, 2021 The coronavirus pandemic and the ensuing changes to campus life have posed severe challenges for undergraduate instructors. Adapting to remote instruction was especially difficult for classes traditionally taught using in-person laboratories, which focus on the hands-on investigation of objects of Continue Reading >>

Using Phenomena-Based Inquiry to Increase Class Participation

by Rachael Olliff Yang, Integrative Biology Teaching Effectiveness Award Essay, 2019 At the beginning of every class, instructors are faced with the challenge of encouraging participation. I was able to successfully increase class participation using phenomena-based inquiry. In Fall 2018 I co-taught the field section and lab of General Biology Continue Reading >>

Why Am I Doing What I Am Doing?

by Varsha Desai, Chemistry Teaching Effectiveness Award Essay, 2018 Experiments in chemistry laboratories often have complex protocols where students perform several steps sequentially to obtain a “correct” product. Seemingly small mistakes can result in a domino effect that leads to inconclusive end results. For example, students forget to “mix” a Continue Reading >>

Plant Morphology is Just a Game

by Riva Bruenn, Plant and Microbial Biology Teaching Effectiveness Award Essay, 2016 Plant morphology is a well-organized catalog of vegetative form. Every week students have dozens of plants to illustrate, interpret, and describe in lab, and even more material to cover and review in discussion. In order to finish the Continue Reading >>

Starting with Art for the First Time

Elaine Yau, History of Art
I have often noted that students who have never had an art history course can be overwhelmed by a commonplace assumption that artistic “masterpieces” are self-evidently great. This point of departure usually results in hackneyed discussions about beauty, perfection, or “pinnacles of civilization.” I wanted my first writing assignment to provide a structured, accessible process for formal analysis that would equip students with a vocabulary from which to build their own interpretations confidently — to treat paintings as primary sources from a moment in history.

The Hip Bone is Connected to the Thigh Bone: Fostering Higher-Order Learning by Not Answering Students’ Questions

by Julie Wesp, Anthropology
I wanted to create an environment that would stimulate higher-order learning and instill a deeper understanding and organization of the information. Answering the kind of questions the students were asking did not help them to piece together the parts into a whole; it only insinuated that repetitive memorization was the key to success. In an effort to break this cycle, during the next section I simply stopped answering them.

Consensus Techniques for Learning Together

by Genevieve Painter, Legal Studies (home department Jurisprudence and Social Policy)
Sorting through masses of research is a key learning objective of the reading and composition seminar. Students reported feeling overwhelmed as they confronted a wealth of sources and ideas in preparing their final papers. What is one way that participatory social movements deal with analyzing an excess of information? Card clustering!

Seeing for Yourself

by Ryan Turner, Astronomy (Home Department: Earth and Planetary Science)
Not everything we learn in school is easily quantified, and the goal of the C12 star party did not include specific learning objectives. The effectiveness of the project was measured in oohs and aahs as students took their first look through the eyepiece.